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Concertino in Blue(楽) 曲名 アーティスト フォルダ 難易度 BPM NOTES/FA(SA) その他 Concertino in Blue 佐々木博史 GP/A3 楽5 103-155 119 / 4 先行プレー特典 STREAM VOLTAGE AIR FREEZE CHAOS 24 24 36 14 0 楽譜面(5) / 踊譜面(12) / 激譜面(16) / 鬼譜面(-) 属性 譜面 https //livedoor.blogimg.jp/yanmar195/imgs/7/f/7f302482.png 譜面動画 https //www.youtube.com/watch?v=Ygu3T-yajEc (x3.0, NOTE) 解説 2022/08/10追加。コントローラ購入者特典楽曲パックとして先行プレー可能になる特典曲。 特典を得るには2022/09/04までにDDR GPをプレーする必要がある。 DDR GPのベーシックコース加入＆『DanceDanceRevolution 専用コントローラ』を購入でプレー可能。 GUITARFREAKS 7thMIX drummania 6thMIXからの移植曲。 BPM推移(暫定) 140-155-153-151-155-153-151-155-154-141-155-151-139-128-122-112-103 参考 beatmania IIDX(プレイ中のBPM表記あり)のプレイ動画 名前 コメント コメント(私的なことや感想はこちら) クリアだけならそこまで強くないのだが、かなりの精度難。 BPMが細かく変動する上に曲自体のリズムが難しく変拍子なので、ほぼ4分なのに全く光らない。 そして楽5でCHAOSも0なら4分だけ……と思いきや、ラスト5歩が4分ではないというラス殺しもある。 -- 名無しさん (2022-09-11 21 44 37) リズムが変則的なら配置も(このレベルとしては)変則的。密度低いから5で許されてるだけで内容的には7～8相当 -- 名無しさん (2023-11-28 09 32 17) 名前 コメント
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Ryota Matsumoto is the renowned philosopher and visual artist known for the hybrid art and postdigital theory. He is a principal and founder of an award-winning interdisciplinary design office, Ryota Matsumoto Studio based in New York and Tokyo. Education Born in Tokyo, he was raised in Hong Kong and Japan. He received a Master of Architecture degree from University of Pennsylvania in 2007 after his studies at Architectural Association in London, Mackintosh School of Architecture, Glasgow School of Art and University of Miami in early 90’s. Matsumoto has previously collaborated with a cofounder of the Metabolist Movement, Kisho Kurokawa, and with Arata Isozaki, Peter Christopherson, Cesar Pelli and MIT Media Lab before establishing his office. Architectural and Visual Work As a designer and consultant of Nihon Seikei Inc. and Japanese railway, he has worked on high-profile projects including Kyushu University Ito Campus masterplan(2003-2005), Shinjuku redevelopment project in Tokyo(2009-2012), Bach Mai hospital in Hanoi(2000) and Qingdao mixed-use development in China(2011). He has presented his work on posthumanism, digital design and bio art at the 5th symposium of the Imaginaries of the Future at Cornell University, the Espaciocenter workshop at TEA Tenerife Espacio de las Artes, Oslo National Academy of the Arts, UCI Claire Trevor School of the Arts and NTT InterCommunication Center as a visual artist. As a video producer, he has worked with Peter Christopherson for Japanese Nike commercial and contributed to the promotional projects for his first solo album as Threshold Houseboys Choir. His academic career started as a teaching assistant for architectural historian, Vincent Joseph Scully Jr. and his seminar, the Natural and Manmade in 1993. During his visiting fellowship at the Glasgow school of Art, he has been engaged in research on the process of integrated urban regeneration under the guidance of Giancarlo De Carlo and Isi Metzstein. He continued his pursuit in urban studies and participated in seminal research projects with MIT Media Lab and KieranTimberlake exploring high-rise modular housing, sustainability and design interventions for Dhaka, Bangladesh in 2005. He has served as an MFA advisor of Transart institute, University of Plymouth and teaches at Asagaya Institute of Art and Design as a professor of practice. He is a research associate at the New Centre of Research Practice found by Mohammad Salemy, Jason Adams and Reza Negarestani. Matsumoto is the recipient of Visual Art Open First Prize, FILE (Electronic Language International Festival) Prix Lux Prize, Florence Biennale Mixed Media 2nd Place Award, Premio Ora Prize Italy 5th Edition, Premio Ora Prize Spain 1st Edition, Donkey Art Prize III Edition Finalist, Best of Show IGOA Toronto, Art Kudos Best of Show Award, Lynx International Prize Be Art Builder Award, Lumen Prize Finalist and Western Bureau Art Prize Honorable Mention. He was awarded the Gold Artist Prize from ArtAscent Journal, the 1st Place Prize from Exhibeo Art Magazine and the Award of Excellence from the Creative Quarterly Journal of Art and Design in 2015 and 2016. His work is part of the permanent collection of University of Texas at Tyler. His work, writings, and interviews were published in Kalubrt Magazine, University of North Carolina Wilmington Journal Palaver, Furtherfield.org, The Journal of Wild Culture, Studio Visit Magazine, Fresh Paint Magazine, H+ Magazine, International Artist Magazine, Made In Mind Magazine, Arizona State University Journal Superstition Review, Creative Review, Next Nature Network, Rhizome.org, Carbon Culture Review, KooZA/rch, Supersonic Art, Component Design (Winka Dubbeldam ed.), Post Digital Aethetics (Berry and Dieter ed.), Drawing Discourse (University of North Carolina Asheville), Highlike(SEPI-SP editors) and Drawing Futures (The Bartlett UCL) among others. Matsumoto s multidisciplinary projects have been exhibited recently at Meadows Gallery University of Texas at Tyler, S. Tucker Cooke Gallery University of North Carolina Asheville, Sebastopol Center for the Arts, National Museum of Korea, Van Der Plas Gallery, ArtHelix Gallery, Caelum Gallery, Limner Gallery, the Cello Factory, University of the District of Columbia, Lux Art Gallery, Studio Montclair, Manifest Gallery, Tenerife Espacio de las Artes, Art Basel Miami, ISEA International, FILE Sao Paulo, Nook Gllery and Arts and Heritage Centre Altrincham. He also had solo exhibitions at Transylvania University (2015), Los Angeles Center of Digital Art (2016) and Alviani ArtSpace, Pescara (2017). Official Website http //ryotamatsumoto.com
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【登録タグ S すばる ちょこふぁん ちょこふぁんBEST 感情の摩天楼 ～ Cosmic Mind 曲 法界の火】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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曲名 アーティスト フォルダ 難易度 BPM NOTES/FREEZE(SHOCK) Concertino in Blue 佐々木博文 GP/A3 踊12 103-155 323/10 STREAM VOLTAGE AIR FREEZE CHAOS 65 79 29 26 63 踊譜面(12) / 激譜面(16) 譜面 動画 https //www.youtube.com/watch?v=5cbWHy6GqEE (1P x3,5, NOTE) 解説 2022/8/10追加。コナステ版「DanceDanceRevolution GRAND PRIX」との連動で先行プレー可能になる特典曲。 DDR GPのベーシックコース加入＆DDR GP用のDanceDanceRevolution 専用コントローラの購入特典である『コントローラ購入者特典楽曲パック』の入手でプレー可能。 専用コントローラを購入していても2022/09/04までにDDR GPを起動しないと特典が付与されない。 GUITARFREAKS 7thMIX drummania 6thMIXからの移植曲。 北米Xbox360版 DanceDanceRevolution UNIVERSE 3にも収録されていた。その時から譜面が変更されている。 BPM推移(暫定) 140-155-(150-115の間で微妙に変動)-155-(徐々に減速)-110-120 コメント コメント(感想など) 最新の10件を表示しています。コメント過去ログ?
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曲名 アーティスト フォルダ 難易度 BPM NOTES/FREEZE(SHOCK) Concertino in Blue 佐々木博文 GP/A3 激16 103-155 519/11 STREAM VOLTAGE AIR FREEZE CHAOS 108 98 47 24 109 踊譜面(12) / 激譜面(16) 譜面 動画 https //www.youtube.com/watch?v=3t1zSB3E6wo (1P x3,5, NOTE 2P x3,5, NOTE, REVERSE) 解説 2022/8/10追加。コナステ版「DanceDanceRevolution GRAND PRIX」との連動で先行プレー可能になる特典曲。 DDR GPのベーシックコース加入＆DDR GP用のDanceDanceRevolution 専用コントローラの購入特典である『コントローラ購入者特典楽曲パック』の入手でプレー可能。 専用コントローラを購入していても2022/09/04までにDDR GPを起動しないと特典が付与されない。 GUITARFREAKS 7thMIX drummania 6thMIXからの移植曲。 北米Xbox360版 DanceDanceRevolution UNIVERSE 3にも収録されていた。その時から譜面が変更されている。 BPM推移(暫定) 140-155-(150-115の間で微妙に変動)-155-(徐々に減速)-110-120 コメント コメント(感想など) 最新の10件を表示しています。コメント過去ログ?
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Ryota Matsumoto is one of the most prominent philosophers of postdigital theory and visual artist known for the hybrid art. He is a principal and founder of an award-winning interdisciplinary design office, Ryota Matsumoto Studio based in New York and Tokyo. Biography Born in Tokyo, he was raised in Hong Kong and Japan. He received a Master of Architecture degree from University of Pennsylvania in 2007 after his studies at Architectural Association in London and Mackintosh School of Architecture, Glasgow School of Art in early 90’s. Matsumoto has previously collaborated with a cofounder of the Metabolist Movement, Kisho Kurokawa, and with Arata Isozaki, Peter Christopherson, Cesar Pelli and MIT Media Lab before establishing his office. As a designer and consultant of Nihon Seikei Inc. and Japanese railway, he has worked on high-profile projects including Kyushu University Ito Campus masterplan(2003-2005), Shinjuku redevelopment project in Tokyo(2009-2012), Bach Mai hospital in Hanoi(2000) and Qingdao mixed-use development in China(2011). He has presented his work on posthumanism, digital design and bio art at the 5th symposium of the Imaginaries of the Future at Cornell University, the Espaciocenter workshop at TEA Tenerife Espacio de las Artes, Oslo National Academy of the Arts, UCI Claire Trevor School of the Arts and NTT InterCommunication Center as a visual artist. As a video producer, he has worked with Peter Christopherson for Japanese Nike commercial and contributed to the promotional projects for his first solo album as Threshold Houseboys Choir. His academic career started as a teaching assistant for architectural historian, Vincent Joseph Scully Jr. and his seminar, the Natural and Manmade in 1993. During his visiting fellowship at the Glasgow school of Art, he has been engaged in research on the process of integrated urban regeneration under the guidance of Giancarlo De Carlo and Isi Metzstein. He continued his pursuit in urban studies and participated in seminal research projects with MIT Media Lab and KieranTimberlake exploring high-rise modular housing, sustainability and design interventions for Dhaka, Bangladesh in 2005. He has served as an MFA advisor of Transart institute, University of Plymouth and teaches at Asagaya Institute of Art and Design as a professor of practice. He is a research associate at the New Centre of Research Practice found by Mohammad Salemy, Jason Adams and Reza Negarestani. Matsumoto is the recipient of Visual Art Open First Prize, FILE (Electronic Language International Festival) Prix Lux Finalist, Florence Biennale Mixed Media 2nd Place Award, Premio Ora Prize Italy 5th Edition, Premio Ora Prize Spain 1st Edition, Donkey Art Prize III Edition Finalist, Best of Show IGOA Toronto, Art Kudos Best of Show Award, Lynx International Prize Be Art Builder Award, Lumen Prize Finalist and Western Bureau Art Prize Honorable Mention. He was awarded the Gold Artist Prize from ArtAscent Journal, the 1st Place Prize from Exhibeo Art Magazine and the Award of Excellence from the Creative Quarterly Journal of Art and Design in 2015 and 2016. His work is part of the permanent collection of University of Texas at Tyler. His work, writings, and interviews were published in Kalubrt Magazine, University of North Carolina Wilmington Journal Palaver, Furtherfield.org, The Journal of Wild Culture, Studio Visit Magazine, Fresh Paint Magazine, H+ Magazine, International Artist Magazine, Made In Mind Magazine, Arizona State University Journal Superstition Review, Creative Review, Next Nature Network, Rhizome.org, Carbon Culture Review, KooZA/rch, Supersonic Art, Component Design (Winka Dubbeldam ed.), Post Digital Aethetics (Berry and Dieter ed.), Drawing Discourse (University of North Carolina Asheville), Highlike(SEPI-SP editors) and Drawing Futures (The Bartlett UCL) among others. Matsumoto s multidisciplinary projects have been exhibited recently at Meadows Gallery University of Texas at Tyler, S. Tucker Cooke Gallery University of North Carolina Asheville, Sebastopol Center for the Arts, National Museum of Korea, Van Der Plas Gallery, ArtHelix Gallery, Caelum Gallery, Limner Gallery, the Cello Factory, University of the District of Columbia, Lux Art Gallery, Studio Montclair, Manifest Gallery, Tenerife Espacio de las Artes, Art Basel Miami, ISEA International, FILE Sao Paulo, Nook Gllery and Arts and Heritage Centre Altrincham. He also had solo exhibitions at Transylvania University (2015), Los Angeles Center of Digital Art (2016) and Alviani ArtSpace, Pescara (2017). Links The Official Website https //www.ryotamatsumoto.com The New Centre Profile https //thenewcentre.org/people/ryota-matsumoto Prabook https //prabook.com/web/ryota.matsumoto/619708 Facebook https //www.facebook.com/ryota.matsumoto.718 Instagram https //www.instagram.com/ryt.matsumoto Enpedia https //enpedia.rxy.jp/wiki/松本良多 LinkedIn https //www.linkedin.com/in/ryota-matsumoto-68746080 Discogs https //www.discogs.com/ja/artist/5796857-Ryota-Matsumoto Muck Rack Journalist Profile https //muckrack.com/ryota-matsumoto
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Market Analysis Biometrics, or just biometrics, alludes to utilizing natural attributes like an individual s face, fingerprints, or iris to perceive people in a robotized way. A framework to advance creative biometric acknowledgment in the cloud. With BaaS, one could start utilizing unique mark filtering and face acknowledgment to coordinate workers and clients, forestalling extortion and improving client support without the requirement for expensive, tedious, and asset concentrated programming buy and reconciliation processes. With BaaS, one could initiate utilizing unique finger impression filtering and face acknowledgment to incorporate workers and clients, forestalling misrepresentation, and improving client support without the requirement for exorbitant, tedious, and asset escalated programming buy and coordination processes. Biometrics-as-a-Service Market empowers an organization to distinguish people in view of natural and social qualities utilizing cloud-based recognizable proof and verification. The innovation enjoys a few benefits, remembering the simplicity of reception at any endpoint for the organization, availability from anyplace on the planet, and lower membership costs. Opportunities Rising Adoption of Cloud-based Services to offer Robust Opportunities The rising adoption of cloud-based services by enterprises will offer robust opportunities for the market in the forecast period. Enterprises are adopting cloud-based services increasingly for their business functions owing to their different benefits like agility, disaster recovery, flexibility, and lower costs. Besides the cloud offers the perks of hybrid cloud deployment that offers the perks of both the public and private clouds. Due to cloud deployment, enterprises can avail the biometric security capabilities without the need for any complex infrastructure. Restraints and Challenges Security Issues and Privacy Concerns to act as Market Restraint The security issues and privacy concerns of biometric data stored on the cloud may act as a market restraint over the forecast period. Besides, the integration of biometric as a service into the existing systems may also impede market growth. COVID-19 Analysis The BaaS market has been substantially impacted owing to the increasing pandemic situation across the globe. The COVID-19 outbreak has led to reduced business activities as governments had enforced lockdowns. Owing to this, the dependency on online businesses has significantly grown to offer necessary services to consumers. Thus the increased need for biometric as a service as this offers robustness and security to the data. BaaS simplifies business processes and also affording transparency and immutability as well as increase focus on operational efficiency. Also, BaaS devices are also used in retail malls and buildings to screen people during the crisis before they enter. They can detect this using AI technology if anyone is not wearing a mask or has high temperature. Further, touchless technologies are also flooding the market now. Airports, hospitals, offices, and secure locations are making the most of non-contact biometric attendance. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/10598 Market Segmentation The worldwide biometric-as-a-administration market has been divided in view of offering, arrangement type, arrangement characteristic, methodology, association size, vertical, and area. By offering, the biometric-as-a-administration market has been sectioned into arrangement and administration. By arrangement type, the biometric-as-a-administration market has been additionally divided into finger impression acknowledgment, face acknowledgment, iris acknowledgment, voice acknowledgment, palm and vein acknowledgment, and others. The other section is partitioned into DNA, mark, and keystroke. By arrangement attribute, the biometric-as-a-administration market has been additionally divided into physiological and social. By methodology, the biometric-as-a-administration market has been additionally divided into unimodal and multimodal. The biometric-as-a-administration market has also been sectioned into SMEs and enormous endeavors by association size. By vertical, the biometric-as-a-administration market is portioned into government (policy management), medical care, BFSI, IT and ITES, assembling, instruction, and others. Moreover, the other portion is isolated into a diversion, transportation, energy and utilities, retail, telecom, and other expert administrations. The locales remembered for the review are North America, Europe, Asia-Pacific, the Middle East and Africa, and South America. Regional Analysis The worldwide biometric-as-a-administration market has been ordered as North America, Europe, the Asia-Pacific, the Middle East and Africa, and South America. North America is probably going to be the prevailing local market because of the quicker reception of imaginative advancements in created nations in the district the US, Canada, and Mexico. This is principally because the district is perhaps the most mechanically progressed area with the presence of countless market players like Google, Microsoft, IBM, and Amazon. Asia-Pacific is relied upon to progress at the most elevated CAGR during the figure time frame because of the developing usage of advances. Key Players Prominent players profiled in the global biometric as a service market report include Idemia (France), NEC (Japan), Thales (France), M2SYS (US), Fujitsu (Japan), Aware (US), Leidos (US), Nuance (US), Certisign (Brazil), HYPR (US), BioID (Germany), Ayonix (Japan), Phonexia (US), Lexis Nexis (US), Cognitec Systems (Germany), Iritech (US), Affectiva (US), Nviso (Switzerland), Fingerprints (Sweden), Bayometric (US), Google (US), Microsoft (US), IBM (US), Amazon (US), and Accenture (Ireland). Industry News In April 2020, Fujitsu Frontech North America Inc. procured Fulcrum Biometrics, LLC, a piece of Texas-based biometric equipment, programming, and arrangements supplier. This understanding shows the organization s obligation to develop its biometrics business in North America and the worldwide character of the executives market, including multifaceted confirmation, commands forced by new state and government regulations administering monetary establishments and medical services suppliers capacity to share patient data. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/biometric-as-a-service-market-10598 Table of Contents 1 Executive Summary 2 Scope of The Report 2.1 Market Definition 2.2 Scope of The Study 2.2.1 Research Objectives 2.2.2 Assumptions Limitations 2.3 Market Structure Continued… Similar Report** Open Source Intelligence (OSINT) Market Mobile Banking Market Voice Assistant Market** https //mrfrinformation.tistory.com/615 Network-Attached Storage Market** https //telescope.ac/information-technology-Lc1XMRDqL/5WlKY9Kx4 About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com #market #research #industry #data #report #share #digital #gnews Plugin Error キーワードを入力してください。 #trend #future #analyis #industryreport #industrygrowth #demographic #strategy #manegment
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